![]() ![]() It offers an inexpensive, quality option for the price tag to create recordings for live streaming and podcasts. One inexpensive option is the Fifine K670, a cardioid condenser microphone with USB set up that offers plug-and-play ability. It is among the best USB microphones, if not the absolute best. This allows you to be flexible in how and where you record. It also has an impressive feature where you can select from four different polar patterns: flexible cardioid, bidirectional, omnidirectional, and stereo. It is a popular option among podcasters and comes with Blue VO!CE software which provides built-in noise suppression, as well as noise modification abilities to adjust low frequency sounds. The Blue Yeti microphone is a high-quality microphone that allows for you to record interviews and podcasts without too much noise interference. This is different with other microphones where the XLR cable merely sends an audio signal through to the console. The editing performed afterwards on the computer will enhance the audio that is already digitally processed, the USB being basically its own analog-to-digital converter. Unlike other digital mics, USB microphones process and digitize the audio they capture through the microphone itself. Many offer headphone jacks built into them, which most other microphone setups do not provide. These are typically USB condenser microphones. The best USB microphones offer noise reduction features and typically consist of a cardioid or unidirectional polar pattern. GarageBand recognizes these immediately once you plug the USB cord into the computer. USB microphones are plug-and-play options that are inexpensive but can produce decent sound for things like podcasts. It has a hyper-cardioid-focused sound that keeps out unwanted noise from the back of the microphone which is an excellent choice for podcasters, but can be less sensitive than other condenser microphones because of it. The Samson CO1 is one of the best microphones you can buy. Related: Best Microphone Arms For Rode NT-USB Samson CO1 The Audio Technica is about $100 less expensive than the Rode, but the Rode responds better to low self-noise, flat frequencies, and rugged construction. This comes from the cardioid polar patterns installed in each of them. Both microphones offer clear, directional sound. The Audio Technica, however, handles low frequency sound sources well and offers a high pass filter which keeps out background noise. The Rode NT1 produces generally better and cleaner sound than the Audio Technica. The Rode NT1 and the Audio Technica AT2020 are both good condenser microphone options, though the Audio Technica is less expensive. If such a mistake does occur, these shock mounts absorb the sounds created and produce instead a low-frequency rumble, which is called structure-borne noise. A shock mount helps to position a microphone away from a speaker to the distance needed to still capture sound but keep unwanted bumps from a person’s hand or face from ruining a recording. They help with reducing pops and clicks that diminish clarity and can be distracting when listening to a recording. Pop filters are pieces of foam or nylon mesh that are placed in front of the microphones to keep unwanted sounds. Rode NT1 and Audio Technica AT2020īrands like Audio Technica and Rode produce good quality condenser microphones that often come with additional attachments like a pop filter and shock mount. As they have active electric circuitry, condenser microphones need phantom power to work. They require what’s known as phantom power, which is carried through an XLR cable to provide electricity to condenser microphones. However, they are not as plug-and-play as some other microphone options. ![]() They are typically the chosen types of microphones for high-quality podcasts as they pick up subtle sounds without capturing a lot of lower noise. ![]() Condenser microphones consist of a condenser capsule inside the hardware that helps to capture the smallest of sounds. ![]()
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